How to Read Documentary Photographs

» 12 August 2014 » In History / DBQ's, How To, Strategies » No Comments

Russell Lee Los Angeles 1942. LC-USF33-013296-M4

While many are aware that the US government forcibly removed and incarcerated more than 120,000 U.S. residents of Japanese ancestry during WWII. Few people know that the government recruited some of these same people to work at farm labor camps across the west to harvest crops essential to the war effort.

Uprooted: Japanese American Farm Labor Camps During World War II is a traveling photography exhibit (and website) that tells this story and provides a treasure trove of resources for historians, teachers and students. Uprooted draws from images of Japanese American farm labor camps taken by Russell Lee in the summer of 1942. Lee worked as a staff photographer for the Farm Security Administration (FSA), a federal agency that between 1935 and 1944 produced approximately 175,000 black-and-white film negatives and 1,600 color photographs.

Many are familiar with the work of Lee’s colleague Dorothea Lange, who worked for the War Relocation Authority in 1942. Lee also made significant contributions to the photographic record of the Nikkei wartime experience. Between April and August of 1942, he took some six hundred images of Japanese Americans in California, Oregon, and Idaho, including rare documentation of farm labor camps. To explore all of Lee’s FSA photographs, visit the Library of Congress website.

Farm Labor ad from the Minidoka Irrigator (camp newspaper)

Uprooted also features video interviews with Japanese Americans who lived and worked in these seasonal farm labor camps as well as an archive of engaging historic documents from the era. Lee’s photographs depict smiling Japanese Americans cheerfully making the best of  farm work and living in tents. But the interviews and historic documents tell a different story - harsh fieldwork, substandard living conditions and local townspeople suspicious of these intruders and their "questionable loyalty." Even the incarcerated Japanese Americans were divided about working in the farm labor camps. Some saw it as an better alternative than the barbed wire of camps like Manzanar or Minidoka. But others resisted after hearing stories of grueling "stoop" labor, primitive housing and hostile locals.  

While Uprooted focuses on a what some might consider a “footnote” of the US WWII homefront experience, I recognized that this rich collection could provide students with the material to develop historical thinking skills in sourcing, contextualizing, corroborating and close reading.

How does this collection of video interviews and historic documents help shed light on Lee's intent? Was he trying to gloss over the harsh living and working conditions to help recruit more farm laborers? Was he trying to depict the noble and patriotic sacrifice of Japanese Americans forcibly stripped of their homes and livelihoods following the attack on Pearl Harbor by Japanese warplanes? Or did Lee simply shoot what he saw while on a photo assignment for the FSA? 

I worked with the Uprooted team and developed a lesson How reliable are documentary photographs as a historic source? Students begin by reflecting on the photographs they take and often share on social media. What do you see in the photographs? What stories do they tell? Next they are taken through scaffolded activities to closely examine Lee’s photographs and compare them to the often conflicting depictions of the farm labor camps found in the other historic documents. Finally they are asked to reconsider their contemporary social media photographs and how they might be interpreted by future historian studying “the life of a teenager in 2010s.” A complete lesson plan, collection of images and historic documents is available at Uprooted. The site even includes a kit for students to curate their own Uprooted museum mini-exhibit.

You can find Uprooted on Twitter | Facebook | Flickr | Instagram

The museum exhibit open at The Four Rivers Cultural Center in Ontario, OR on September 12, 2014 and runs through December 12, 2014. It then travels to Minidoka County (ID) Historical Society and the Oregon Nikkei Legacy Center in Portland Ore. More exhibit info and updates

I'd like to close this post by crediting the talented team behind Uprooted. Curator - Morgen Young, Web and Graphics Designer - Melissa Delzio, Videographers - Courtney Hermann and Kerribeth Elliott. Uprooted is a project of the Oregon Cultural Heritage Commission

Top Image credit: Library of Congress
Title: Los Angeles, California. The evacuation of Japanese-Americans from West Coast areas under U.S. Army war emergency order. Japanese-American family waiting for train to take them to Owens Valley
Creator(s): Lee, Russell, 1903-1986, photographer
Date Created/Published: 1942 Apr.
Medium: 1 negative : nitrate ; 35 mm.
Reproduction Number: LC-USF33-013296-M4

Newspaper Ad "You don't need to wait any longer to get out." From the Minidoka Irrigator.
Sugar companies posted recruitment notices and advertisements in public spaces throughout the camps, as well as in camp newspapers. Such advertisements emphasized seasonal labor as an opportunity to leave confines of camp, but also marketed the work as the patriotic duty of Japanese Americans, ignoring that they had been incarcerated and denied their civil liberties.
National Archives and Records Administration, Washington D.C., Record Group 210, War Relocation Authority.

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Free iBook Explores Ancient Egypt

» 06 May 2014 » In History / DBQ's, Publishing » No Comments

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Ancient Egypt is interactive resource for teachers and students in grades 6-12. Chapters include: Government and Wealth, Power and Protection, Gods and Goddesses, Journey to the Afterlife and a very interactive guide to reading hieroglyphics. Free at iTunes.

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A Satiric Lesson in Media Literacy

» 27 March 2014 » In How To, Literacy, Strategies, Visualizations » No Comments

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Kendra Eash’s essay becomes a satiric video skewering the clichéd corporate message ad as a meaningless montage of grandiloquent pablum. Used as a prompt for a lesson in visual literacy.

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Visual Rhetoric of Women’s Suffrage

» 01 December 2013 » In Ed Tech, History / DBQ's, Projects, Students » No Comments

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Two of my University of Portland pre-service teachers showcase their online DBQ “Propaganda of the American Suffrage Movement, c. 1910-1920.” This DBQ is designed to encourage students to think critically about the American suffrage movement propaganda. The generative questions are: “How do images express biases?” and “How are political, social, and economic factors presented?” Heather Treanor and Cory Cassanova also reflects on the experience of designing DBQs.

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Image and Emotion / WWII Propaganda Posters

» 29 November 2013 » In Ed Tech, History / DBQ's, Projects, Students » No Comments

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One of my University of Portland pre-service teachers showcases his online DBQ “Image and Emotion – WWII Propaganda Posters.” Five propaganda themes are explored through parallel sets of posters from US and Axis power. Aram Glick also reflects on the experience of designing DBQs.

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5 Rules of Infographic Excellence

» 14 October 2013 » In Commentary, Visualizations » No Comments

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xkcd’s brilliant mockery of the explosion of “info-junk” should remind us that the best infographics should efficiently combine quantitative data, prompt pattern recognition and cogent visual storytelling. Perhaps aspiring infographic designers would do well to revisit the work of the Edward Tufte, the guru of the art form. His five rules of “Graphical Excellence” are detailed and illustrated with an example he considers “best narrative graphic of space and time.”

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Text to Text: A Strategy for Common Core Close Reading

» 26 September 2013 » In How To, Literacy, Strategies » 5 Comments

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The NY Times Learning Network has just launched a new series of lesson plans called “Text to Text.” It’s a simple approach that pairs two written texts that “speak to each other.” I think it’s a Common Core close reading strategy that could be easily replicated by teachers across the curriculum – great way to blend nonfiction with fiction and incorporate a variety of media with written text.

Each lesson includes a key question, extension activities and additional resources to expand the basic lesson. Here’s two graphic organizers to help student organize their “Text to Text” thinking.

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Best Sites for Primary Documents in World History

» 16 September 2013 » In History / DBQ's, How To » 1 Comment

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Common Core offers an incentive for teachers to use historic documents to build literacy skills in a content area while empowering students to be the historian in the classroom. But document-based (DBQ) instruction in this context requires four key elements to be successful: The first is finding the right documents.

Here’s links and descriptions of a dozen great websites for finding interesting historic documents in World history. Sample images for each site are included.

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Best Sites for Primary Documents in US History

» 16 September 2013 » In History / DBQ's, How To » 3 Comments

Woman-and-Child-featured

Common Core offers an incentive for teachers to use historic documents to build literacy skills in a content area while empowering students to be the historian in the classroom. But document-based (DBQ) instruction in this context requires four key elements to be successful: The first is the right documents.

Here’s links and descriptions of 11 great websites for finding interesting historic documents in American history. Sample images for each site are included.

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Work, Duty, Glamour: How They Sold War Work To Housewives

» 16 July 2013 » In Ed Tech, History / DBQ's, Publishing » 2 Comments

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Rosie the Riveter is an American icon that symbolizes the hardworking and self-sacrificing women who left the household and filled the war jobs that turned America into WWII’s “Arsenal of Democracy.” But it’s a much bigger story than Rosie. Explore the films, posters, pamphlets and cartoons that give us insights into the gender, race and class stereotypes of the period.

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