Tag: Music

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Innovations in Teaching and Learning: Top Down or Bottom Up?

Up-down

Head to the vendor area of an educational conference and you'll see a "top-down" vision of innovation in schools – expensive stuff that delivers information – lots of flashy equipment like display systems, interactive whiteboards, etc. They might give the illusion of modern, but in fact they're just a glitzy versions of the old standby – teaching as telling. Does anyone really think there's an instructional ROI in jazzing up test prep with a "Jeopardy-style game" delivered by "cutting-edge display technology?" 

In fact, the best innovation in instructional practice is coming from the "bottom up" – from teachers who find effective ways to harness the creative energy of their students. These teachers don't simply deliver information to kids, they craft lessons where students can research, collaborate, and reflect on what they're learning. They harness a flood of new platforms that enable students "see" information in new ways and support a more self-directed style of learning. Unlike the expensive wares being hawked by the convention vendors, most of these web tools are free. 

Want to find out more about instructional innovation in action? That won't cost you a thing either. Just jump on my Twitter feed and you find superb teachers willing to share their latest student projects. And that free flow of information contrasts with a second "top-down" approach to innovation in schools – the professional learning committee. Imagine being told that, "teachers will now attend PLC meetings.. and don't forget to fill out the PLC report form and turn it in to your administrator." No one at the top seems to notice that teachers who want to network have already created their own "bottom-up" support systems via the social web.

Most kids have a "bottom-up" expectation of curating their own information and creating something with it. The barriers to producing content (music, art, books, etc) have all but disappeared. Schools should be helping students develop better skills at critically evaluating information and using it in responsible ways. But many schools cloister students behind internet filters. And instead of finding innovative ways to take advantage of the student's personal smart phone, they ban them. "Susie put your iTouch away and please focus your attention on the output from our classroom's expensive new wireless document camera."

Corporate music, publishing and film were transformed from below. Do we expect education (another legacy information gatekeeper) to be spared the forces of the digital revolution? Unlike the vanishing local newspaper, schools won't disappear entirely. After all, someone has to watch the kids. While it may be difficult to replace the custodial function of schools, I suspect that education's "top-down" approach will eventually be breached. Or perhaps life will just become an "open book test" and we'll no longer notice how our information moves through it. 

As Matt Ridley noted in a piece about the evolution of the social web,  "The very notion that we once discussed the relative merits of text, email, social-network messaging and tweeting will seem quaint. In the future, my part of the cloud will get a message to a friend's part of the cloud by whichever method works best, and I will not even know which way it went. The distinction between a newspaper column and a blog will dissolve, as will the difference between a book and an e-book."  ~ Microchips Are Old Hat. Can Tweets Be Far Behind? Wall Street Journal  March 5, 2011

Image credit flickr/visualpanic  

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Blogging from ITSC 2011

ITSC cvent

I'm pleased to be invited as a guest blogger to the Instructional Technology Strategies Conference 2/20-22 in Portland, Oregon. More on the conference.


ITSC 2011 (twitter/ITSCPDX) is hands-on conference with a clear focus on the practical use of technology in the classroom – workshops are small sessions led by facilitators, not presenters. The facilitator roster includes many of my favorite educators to follow on Twitter – including @ScottElias  @timlauer  @elemenous  @budtheteacher  @shareski  @irasocol  As a recent transplant to Portland, I'll be available to give guided tours of our many fine brewpubs. 

The conference is being held at the Airport Sheraton – a short hop to Portland – a great city for food, drink and live music. Check Willamette Week for updates on what's going on. A visit to Powell's City of Books is mandatory – it's the largest independent used and new bookstore in the world. Note: for more on the "keep Portland weird" thing, see Portlandia on IFC.

Transport to the city from the conference is quick and affordable. The Portland thing to do would be ride your bike, but you can take a 35 min MAX light-rail ride (only $2.30). Once you get to TriMet's fareless square downtown, the MAX and street cars are free.  Or call Radio Cab (honest, owner-owned cabbies)  and ask for the "Radio Flyer special" ($26 downtown – airport). It's about a 15 drive to downtown, the eastside is even closer!

Be on the lookout for me at ITSC 2011. I'll be roaming the conference with my camera and Flip Video. You'll find my tweets @edteck using hashtag #ITSC11. My last guest blogging was done at ASCD in San Antonio. Click here to see the Prezi updates and Twitter visualizations I used to cover the conference.

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9 Questions for Reflective School Reform Leaders

Blueprint1 In response to the November 22: Day of National Blogging for Real Education Reform, I have posed nine questions for school leaders to consider. They’re organized around three themes and a concluding recommendation. (Note: each theme also resonates in the new Common Core standards).

Readers might also want to review my post “A Taxonomy of Reflection: Critical Thinking For Students, Teachers, and Principals“

Theme 1. Learning must engage student in rigorous thinking at higher levels of Bloom – analyzing, evaluating and creating. School leaders should ask:

1. Does our school community recognize the difference between higher and lower order thinking?
2. Are students expected to just consume information, or are they asked to create something original that demonstrates their learning?
3. Is our school a creative problem-solving organization? 
Answers: We cut music and art for remedial math. (Wrong!!!)
 We recognize music and art are vehicles to teach math. (That’s better!)

Theme 2. Learning is relevant when the student understands how the information or skill has some application to their life, has an opportunity to figure out their own process rather than just learn “the facts,” and is given opportunities to reflect on their work and their progress as learners. School leaders should ask …

4. Do our students get high grades for simply memorizing the review sheet for the test?
5. Do our students “follow the recipe” or are they increasingly asked to take responsibility for their learning products, process and results?
6. Is the audience for student work simply the teacher, or are students asked to share their learning with peers, family, community?

Theme 3. The digital age has redefined literacy. To paraphrase David Warlick, literacy now means the ability to: find information, decode it, critically evaluate it, organize it into digital libraries, be able to share it with others and stay focused on a task. School leaders should ask …

7. If we’re no longer the “information gatekeepers,” are we teaching our students to critically evaluate information and use it responsibly?
8. Does our technology get used mainly by the educators, or are students regularly employing it to create understanding and share their learning?
9. Is our credit system based on seat time or can it be expanded beyond the school walls to any place / time virtual learning?

I find it ironic that while schools chase NCLB “proficiency,” life has become an open book test. We need to unleash the power of assessment that targets and inspires. One-shot, high stakes tests are just autopsies. Students need regular check-ups where teachers can gauge student progress and target instruction. Ultimately the program must be designed to foster student self-assessment that gives them responsibility for monitoring their own progress. Students should be supported in on-going self-reflection that addresses questions such as:

  • How can I use this knowledge and these skills to make a difference in my life?
  • How am I progressing as a learner?
  • How can I communicate what I’m learning with others?
  • How can I work with teachers and other students to improve my learning?

Schools will need to become places that create engaging and relevant learning experiences, provoke student reflection, and help students apply the learning to life. Authentic  accountability is reciprocal …  leadership is responsible to provide resources for success, educators are responsible for results. Simply sorting students along the “bell curve” won’t do.

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Test Prep – The Steroids of Student Achievement

As a life-long NYS educator, the NY Times article “Warning Signs Long Ignored on New York’s School Tests” came as no surprise. I’ve been posting on the impact of NCLB-driven standardized testing for years.

While business leaders and politicians lauded the success of the corporate-inspired standards movements, teachers knew that the impressive gains in student achievement were an illusion. As the NY TImes piece reports, for the last decade, a generation of NY students has been force-fed a steady diet of test prep designed to ready them for predictable tests.

“The fast rise… of New York’s passing rates resulted from the effect of policies, decisions and missed red flags that stretched back more that 10 years … The process involved the direct warnings from experts that went unheeded by the state and [NY] city administration that trumpeted gains in student performance… It involved the state’s decision to create short, predictable exams… making coaching easy…” NY TImes October 11, 2010

NCLB sanctions have closed failing schools that had persisted for years as “drop-out factories.” But we’ve paid a high price for accountability as measured by standardized tests. School were re-tooled to serve the needs of the test. Scarce funds were diverted to vendors who peddled programs guaranteed to improve student achievement. Creative teachers were mandated to drop the “fluff”  and teach to the test, while lecture-driven teachers droned on affirmed that it was the best way to ensure student success. Instructional time was devoted to what was tested – reading and math – so students were routinely pulled from art and music for “remediation.” A triage mentality set in among administrators who thought it wisest to focus disproportionate resources to student on the cusp of meeting standards to the detriment of other performance levels.

Of course the ones who suffered most were the students. They were forced to spend long hours engaged in an extended exercise in remembering what they were told, then practice it at their desk (or as homework) in preparation for the opportunity to give it back on the test (generally in the same form they had received it). Instead of exploring their interests, students served largely to produce performance statistics that educators could slice into measurable demographic sub groups.

While NCLB began with the admirable goal of narrowing demographic performance gaps and putting an end to sorting kids on the “bell curve,” test policy has set a course that defines student achievement in manner largely out of step with the skills our students will actually need to successful. Ironically, while our students spend endless hours prepping for predictable tests, the demand for routine skills has largely disappeared from the workplace. Anyone know of a meaningful and rewarding career that looks like filling out a worksheet?

Our kids are inheriting a world with a host of problems that will require some out-of-the-box solutions. Their success will be contingent on their ability to function independently in ever-changing situations as fluid, adaptable, and reflective thinkers. Our classrooms should be refocused on student creativity. But for now our education policy is still aimed at NCLB’s quixotic goal of all students reaching proficiency on standardized tests. Unless we institute more genuine assessments, our measures of student achievement will be as inspiring as a steroid-tarnished home run record.
Image Flickr / Jason

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Analyzing the History of the Bicycle: A Prezi DBQ

Prezi-DBQ

Click here to go the Prezi.
Then click “More” to view full screen. Use arrows at base of Prezi to navigate forward and back through a predefined path. Or use your mouse to explore and zoom the Prezi. Click on hyperlinks in the Prezi to more information about the historic bicycles.
For a PDF version of the Prezi click here.

I’m pleased to have been invited by the educators at the Smithsonian Institution to do a guest blog post using museum resources. It’s a great opportunity to illustrate a question that I often pose to educators – when do we stop modeling for students and free them to take responsibility for their learning? For example, the document-based approach (DBQ) can be a great way for students to “be the historian,” but too often we “over curate” the historic material we share with students. When that happens, the teacher is the active historian and the student is merely a passive recipient of information. For more on that subject see my post: Essential Question: Who is the Teacher in Your Classroom? All across the curriculum, students are told to “analyze” material, but their thinking is constrained by the mandated Venn diagram or T-chart. Developing a comparative schema is messy work – but that’s where the learning takes place. (Hint: letting students do the work is also central the the Common Core standards.) When the student fills out the teacher’s Venn diagram, they aren’t analyzing, they’re filing information into predefined locations. 

Of course, students do need proper scaffolding. Opportunities to learn different analytic models – cause / effect, problem / solution, sequencing, continuity / change. It makes sense to provide them some graphic organizers to help master the models. But at some point, you must turn them loose and give them the chance to explore, discover, create. Put another way, if your entire class comes back with the same comparative analysis – you did the thinking, they didn’t.

Zoe with Electra I was attracted to the Smithsonian Bicycle collection for two reasons. From an academic perspective, the images of historic bicycles could be analyzed by students without a great deal of background knowledge. My lesson provides a minimum of explanation and gives students more opportunities to develop their own model of how bicycles and bicycle culture evolved over time. On the personal side, much of the year, I live in Portland Oregon –  heartland of the urban bike culture. We don’t own a car, but rely on our bikes, walking and public transport. (That’s me with granddaughter Zoe on my Electra Townie bike). 

Some of my photographs of contemporary bikes are from Portland, where creative types continue to evolve new designs. I’ve been using Prezi on my blog and in my presentations since it was launched. For many years I’ve been an advocate of the DBQ. This is my first attempt to combine the two. 

Step 1: Choosing the Analytic Approach Students need experience using a variety of analytic approaches. Continuity and change is a perspective that has a central role in historic/chronological thinking and it can be used in other disciplines across the curriculum. In this lesson, students are given images of historic bicycles with a minimal amount of supporting text. Starting with concrete observations, students look for patterns of change and continuity (elements that changed, e.g., size / number of wheels, speed, stability and those that remained relatively constant , e.g., human powered, seated posture, need for brakes).  Finally, they are asked develop a way to express what they’ve learned. This gives them an audience other than their teacher.

7 dad-son Step 2: Making It Relevant To make learning relevant and set the stage for self-reflection, students need the opportunity to explore their own approaches. For this reason, I don’t provide a graphic organizer. That would mean that I, not the students, did the analysis. This opened-ended assignment invites students to develop their own graphic or narrative model to express what they’ve learned. Another aspect of relevance is authentic audience and purpose. Therefore I recommend that students be asked to think of how they would share their continuity/change model with younger students.

At left: Man astride “1882 Columbia Expert” with son?

Step 3: Making It Rigorous Students should begin by focusing on the lower level comprehension skills (What am I looking at? What materials were used? How were bicycles propelled and steered?) Next they can move to higher level skills.

  • Analysis – What patterns do I see in the bicycles – construction, design, features, uses? What elements do they share in common? How do they differ?
  • Evaluation – In my own judgment, what elements are changing? Which are staying the same? 
  • Creating – What have I learned about continuity and change in the history of the bicycle? How can I represent what I’ve learned to share with others? Should I use a graphic organizer? Flow chart? Time line? Diagram? Narrative?

Step 4: Encouraging Students to Reflect On Their Learning Students that have the opportunity to explore their own approaches have a learning experience that can be a basis for reflection. Since they will likely develop different analytic models than their classmates, they have a chance to compare and learn from each others’ conclusions. When asked to develop a way to explain their model to younger peers, students can reflect on how their model suits their audience and purpose. For reflective prompts you can use with your students see my Taxonomy of Reflection.

Step 5: Taking It Further These possible activity extensions can encourage students to think more about bicycles continuity, and change.

  • Consider how contemporary bicycles fit your continuity / change model, e.g., recumbent, mountain, fixed gear.
  • Design a bicycle
  • Apply the continuity / change model in another subject or discipline – fashion, architecture, musical styles, advertising, fictional characters… I could go on, but I hope you see the potential for learning.
  • Technology extension – Student could also be invited to view the world’s public photography archives at the Flickr Commons with a search by bicycle.They could help describe the photographs they discover by adding tags or leaving comments. The collection includes works from the Smithsonian and other leading international photographic archives.