Cultural Imperialism: Who Stole Cleopatra’s Needles?

782px-Cleopatras.needle.from.thames.london.arpMy Social Studies Methods class at the University of Portland recently published a free multi-touch iBook – Exploring History: Vol III (free iTunes). It features thirteen engaging questions and historic documents that empower students to be the historian in the classroom. For more info on our project and free download of multi-touch iBook and pdf versions click here. To better publicize student work, I’m featuring each chapter in it’s own blog post. (Fifth of 13)

Finding Egyptian Needles in Western Haystacks by Heidi Kershner 
Download as PDF 3.2MB

Essential Question: Who owns and has the right to cultural property?

Beginning with Roman rule in 31 BCE many of Egypt’s obelisks were transported throughout the empire to be set up in various cities. Because of this, the city of Rome now houses more obelisks than anywhere else in the world (including Egypt). Three such obelisks found their way to the metropolises of London, Paris, and New York in the nineteenth century. 

 

Reflection by Heidi Kershner

The process of designing a document based lesson was quite lengthy and involved. It required finding not only relevant documents and primary sources but ones that were both rich enough yet easily accessible for students to engage with on a deep level.

In my case I found this objective fairly challenging as I was looking to create a lesson to fit within a unit about ancient Egypt. Given that the subject for my lesson was from such antiquity I found it fairly difficult to find primary sources and other documents that would fit the aforementioned stipulations. However once I was able to identify my documents the actual designing of the lesson was pretty fun!

Throughout this process I had to continually put myself in the shoes of my students and ask the question: what should students be doing and learning from each document? With this important question in mind I was able to critically think about how each document and primary source fit into the larger fabric of my lesson.

Even though this type of lesson carries a fairly heavy workload in terms of planning I think that this would be a fantastic method to use in my instruction. Certainly not every lesson can be document based but I think that such lessons could be very powerful in terms of both increasing student content mastery as well as providing an opportunity for students to act as historians (which should always be our goal as teachers of social studies)!

Image credit: Wikipedia 

Cleopatra’s Needle in London seen from the River Thames. In the background the New Adelphi, a monumental Art Deco building designed by the firm of Collcutt & Hamp.in the 1930s. 
Photographed by Adrian Pingstone in June 2005 and released to the public domain.

Letters From Egypt: Anzacs Train for Gallipoli

Anzac troops after the fighting at Gallipoli

My Social Studies Methods class at the University of Portland recently published a free multi-touch iBook – Exploring History: Vol II. It features ten engaging questions and historic documents that empower students to be the historian in the classroom. For more info on our project and free download of multi-touch iBook version click here.

To better publicize student work, I’m featuring each chapter in it’s own blog post. More in series here.

Race hate is a reoccurring theme in wars and this DBQ gives students another avenue in which to explore it.

Cesspool of Savagery by Michelle Murphy Download as pdf (12.1MB) In this DBQ, students will explore the attitudes of the Anzacs towards the local population of Egypt where they trained prior to the landing at Gallipoli. Specifically, they will think about how Anzacs perceived the Egyptians and what informed their view. Racial prejudices come in many shapes and sizes and can be found in all eras. The Anzacs provide another perspective to historians. It is not my intent to belittle the bravery of the Anzacs in World War I. Rather, I want students to remember that history is not black and white. It is not simple and it is not static. It is fluid and gray. It is their job to sift through it and make a claim and support it with evidence as historians in training.

Reflection by Michelle Murphy 
Thus far, the DBQ has been a very challenging, but educational experience. I initially began this journey thinking that I would do my DBQ on Operation PB Success. However, I found that would not be feasible so I changed my topic to the Anzacs in Egypt during World War I and perceptions of the ‘other.’ Through this, I have learned how to conduct a successful history lesson without a lengthy lecture. The setup of my DBQ allows students to interact successfully with the material and make an argument without needing in-depth background on the topic beforehand. Students, therefore, practice thinking like historians and the classroom becomes more student-centered.

Another lesson I have learned from the DBQ is how to find primary sources. Finding primary sources is, clearly, very important to the DBQ process. The internet makes it possible to track down hundreds of primary sources from a range of websites whether they be from an academic institutions or a small blog. In order to ensure that my sources are reliable, I have found that government websites are really helpful in locating legitimate primary sources. While it is certainly tempting to just steal primary sources without worrying about their origin, I believe it is important to ensure that I am giving my students something that is quality and genuine.

I would really enjoy using this DBQ in a class that was exploring World War I. Race hate is a reoccurring theme in wars and this DBQ gives students another avenue in which to explore it. When we think of race hate we often think of groups such as the Nazis, but it is important to show students that there are many dimensions to history and while it is easy to villains only one group, it is not necessarily accurate. Racial prejudices come in many shapes and sizes and can be found in all eras. The Anzacs provide another perspective to historians. It is not my intent to belittle the bravery of the Anzacs in World War I. Rather, I want students to remember that history is not black and white. It is not simple and it is not static. It is fluid and gray. It is their job to sift through it and make a claim and support it with evidence as historians in training.

Image credit: Coloured illustration of Anzac troops after the fighting at Gallipoli during World War I
Illustrator: Unidentified
Date: Undated
Location: Gallipoli, Turkey; 40.419071, 26.67877

Description: A New Zealand soldier stands on the left, with an Australian soldier on the right. They are holding the flags of their countries, with a Union Jack displayed above. A banner across the flags reads ‘Australian and New Zealand Army Corps’. King George V is quoted ‘The Australian and New Zealand troops have indeed proved themselves worthy sons of the Empire’.

View this image at the State Library of Queensland: hdl.handle.net/10462/deriv/114320

Free iBook Explores Ancient Egypt

Meet Alex the Archaeologist

The Memorial Art Gallery Rochester NY recently published Ancient Egypt: Exploring Ancient Artifacts with Alex the Archaeologist. It’s available free from the iTunes Store.
Full disclosure: I’ve assisted MAG on a number of projects and was a “mentor” on this iBook

Ancient Egypt is interactive resource for teachers and students featuring video host – “Alex the Archeologist.” (Played by Alexander Smith, a Mediterranean archaeologist and graduate student at Brown University’s Joukowsky Institute for Archaeology and the Ancient World.)

Chapters include: Government and Wealth, Power and Protection, Gods and Goddesses, Journey to the Afterlife and a very interactive guide to reading hieroglyphics. “Stop and think” questions throughout the book foster student reflection. An illustrated glossary helps foster defining skills. Students can zoom in to closely examine artifacts and try their hand at interpreting hieroglyphics.

God Osiris

Designed for classroom use by grades 6–12, Ancient Egypt is the first in a series for young people studying the ancient world. Using the Gallery’s collection of artifacts, this thematic object-centered exploration uses works of art, timelines, video clips, photographs, and interactive media to take students into the world of earlier civilizations. It meets Common Core Standards as students learn to read objects as primary source texts.

The Memorial Art Gallery has many other great resources available online. A good place to start is at Passport to the Past. It features collections of image sets sized for use on Smartboards or in PowerPoints