Text to Text: A Strategy for Common Core Close Reading

The-Scarlet-Letter-1917The NY Times Learning Network has just launched a new series of lesson plans called “Text to Text.” It’s a simple approach that pairs two written texts that “speak to each other.” I think it’s a Common Core close reading strategy that could be easily replicated by teachers across the curriculum – great way to blend nonfiction with fiction and incorporate a variety of media with written text.

Each lesson includes a key question, extension activities and additional resources to expand the basic lesson. Here’s two graphic organizers to help student organize their “Text to Text” thinking. (free PFD downloads)
Comparing Two or More Texts
Double-Entry Chart for Close Reading

The NY TImes plans to continue the series at the Learning Network – tagged Text to Text
To date they have created three sample lessons:

“The Scarlet Letter” and “Sexism and the Single Murderess”
Key Question: To what extent is there still a sexual double standard, and how does that double standard play out in contemporary culture?
It pairs a passage from “The Scarlet Letter” with a recent Op-Ed article that, together, invite discussion on societal attitudes toward female sexuality.

“Where Do Your Genes Come From?” and “DNA Double Take”
Key Question: How are recent advances in science changing our understanding of the genome, and how might this affect fields like forensic science or genetic counseling?
It matches a Times article with often-taught scientific, historic, cultural or literary material. This edition is about new findings in genetics.

“Edward Snowden and Daniel Ellsberg”
Key Question | Is Snowden a Hero, a Traitor or Something Else?
It pairs two Times articles that capture parallel moments in history: Daniel Ellsberg’s surrender to the police in 1971 after leaking the Pentagon Papers, and Edward Snowden’s public admission in June that he leaked classified documents about United States surveillance programs.

Image credit: 1917 Film version of ”The Scarlet Letter” – publicity still (cropped)
L. to R Stuart Holmes, Kittens Reichert & Mary Martin Date

How to Teach Structured Academic Controversy

deliberation

I was recently introduced to Deliberating in a Democracy in the Americas (DDA), a valuable online resource for teachers interested in helping their students develop skills in discussing controversial topics. It uses the Structured Academic Controversy (SAC) model, developed by David and Roger Johnson of the University of Minnesota to provide structure and focus to classroom discussions. Not all issues can be easily debated as pro / con positions. SAC provides students with a framework for addressing complex issues in a productive manner that builds their skills in reading, analyzing, listening, and discussion. It shifts the goal from “winning” the argument to active listening to opposing viewpoints and distilling areas of agreement. It’s a prime skill for civic participation and in alignment with Common Core close reading skills

DDA-steps

The DDA site has all the material teachers will need to support discussion in 15 interesting deliberation questions including:

  • Should our democracy allow schools to punish students for off-campus cyberbullying?
  • In our democracy, should violent juvenile offenders be punished as adults?
  • Should all citizens in our democracy participate in one year of mandatory national service?
  • Should our democracy permit the cultivation of genetically modified foods?

The site includes well-documented background readings in English and Spanish with audio versions of each. And it provides links to additional online resources and a glossary of important terms for each question. It also includes a poll on the website where students can vote and see how other students have voted.

Link to a pdf that demonstrates how SAC aligns with Common Core Standards.
How to teach Structured Academic Controversy in the history classroom.

DDA details the SAC process as follows:

  1. Introduction. Teachers review the meaning of deliberation, the reasons for deliberating, and the rules for deliberation.
  2. Careful Reading of the Text. Students read the text individually, in small groups of 4 or as a whole class in order to reach a common understanding of the reading. If students do not understand the reading, the deliberation will not be successful. As a whole class or in their small groups, students agree on at least three interesting facts and/or ideas.
  3. Clarification. After checking for understanding of the terms and content, the teacher makes sure students understand the deliberation question.
  4. Presentation of Positions. Students work in small groups of 4 divided into pairs (A & B). Each pair is assigned a position. The position of the A’s is to find at least two compelling reasons to say YES to the deliberation question. The position of the B’s is to find at least two compelling reasons to say NO to the deliberation question. A’s teach B’s at least two reasons to say YES to the deliberation question. B’s teach A’s at least two reasons to say NO to the deliberation question. (Handout #2)
  5. Reversal of Positions. The pairs reverse positions. The B pair now adopts the position to say YES to the deliberation question; the A pair adopts the position to say NO to the deliberation question. The A’s & B’s should select the best reason they heard from the other pair and add at least one additional compelling reason from the reading to support their new position.
  6. Free Discussion. Students drop their assigned roles and deliberate the question in their small groups. Each student reaches a personal decision based on evidence and logic.
  7. Whole Class Debrief. The teacher leads the whole class in a discussion to gain a deeper understanding of the question, democracy, and deliberation. What were the most compelling reasons for each side? What were the areas of agreement? What questions do you still have? Where can you get more information? What is your position? (Poll the class on the deliberation question.) In what ways, if any, did your position change? Is there an alternative policy that might address the problem more effectively? What, if anything, might you or your class do to address this problem?
  8. Student Reflection. Students complete the reflection form either at the end of class or for homework.

Hat tip to Marilyn Cover at the Classroom Law Project for introducing me to DDA and SAC.

Image credit / flickr jaycross

Think Like a Historian: Close Reading at the Museum

I’m planning for an upcoming full-day workshop for Chicago-area middle school teachers entitled “Think Like a Historian: Literacy and the Common Core.” The Common Core encourages students to more closely read a text (in all it’s multimedia formats) by answering three critical questions

  • What did it say?
  • How did it say it?
  • What’s it mean to me?

If you were apply those questions to my workshop you might answer them like this:

  • What did the workshop say? For all it’s controversies, the Common Core provides a basic road map for helping your students to “think like a historian” and enhance their literacy and critical thinking skills.
  • How did the workshop say it? Don’t lecture at people. Model the strategies and let teachers experience them in a classroom-like setting.
  • What’s it mean to me? What are the workshop’s strategies and perspectives that I could feasibly incorporate into my classroom to support Common Core skills?

Now that I’ve “flipped” the workshop, here’s a brief lesson in using Common Core questioning. I’m currently visiting Turkey and I thought I’d model a Common Core close reading of my visit to an Istanbul museum exhibit. I’ll dig a little deeper into the three questions with a few more prompts and provide brief answers as if I were a high school student reflecting on their experience.

First the setting: I visited the “Anatolian Weights and Measures” exhibit at the Pera Museum in Istanbul. It’s one large room with exhibit cases around it’s perimeter. A very manageable number of artifacts, labeled in both Turkish and English. I spent about an hour there. So here goes – Common Core close reading prompts, followed by “student responses.” Left: Roman steelyard weight – Hercules

1. What did the text (artifacts / exhibit) say? Summarize the key ideas and provide supporting details.
A: The museum exhibit is a roomful of measurement tools – weight, volume, distance. When I first walked in I turned right and looked at some tools from the 1900s. As I continued around the wall I realized that I was going back in time. Sort of an interesting way to look at the artifacts.

As I progressed “back in time” to the Egyptians era, I realized how important measurement was to civilization. I realized that if you were going to trade things, you needed to measure them. The same was true for owning land. You needed to have a way to measure it. Plus people need to have some way to agree on the “official” measurements. That means the ancients needed some sort of government or rules for trade. You can see that many of the weights had “official” seals on them.The exhibit showed that the ancient Babylonians, Egyptians, Greeks created standardized systems for measurement.

Common Core close reading prompts, followed by “student responses.”

2. How did the text (artifacts / exhibit) say it? How is it organized? Who created it and what were their goals? What patterns do you see?
A: I’ll answer this one from two perspectives – first the creators of the original artifacts and then the curators who designed the exhibit.

The weights were all designed to serve a function, but they were often very artistic as well. At first I wondered if that was because craftsmen wanted to personalize their work. Then I thought the artisans might have decorated the weights to make them harder to counterfeit. Ancients would want to be sure that weights were accurate and that some trader wasn’t ripping them off with a phony measurement. I think the weights were also designed to look official to give people confidence in the measurements they were getting.

The curators of the exhibit used a chronological approach to present the artifacts. But they also grouped items together by themes to help you make connections across time. For example there was a section featured mobile scales from different eras. They were designed for traders that needed scales that they could easily bring with them. That got me thinking of the long history of trade routes tranporting goods from far off lands.

18th C Money Changer's Balance 18th C Money Changer’s Balance

3. How does it (artifacts / exhibit) mean to me? How does it connect to my life and views?
A – The exhibit is called “Anatolian Weights and Measures” and it makes it very clear that every artifact was found in that region. I think one of the goals of the curators was to prove that Turkey has had a long history of civilization and trade. The exhibit showcases thousands of years of measurement tools that reinforce the idea of Turkey as as the crossroad of different cultures. That echoes the image of modern Turkey as a gateway between Europe, Asia, and the Middle East. The exhibit also makes me realize that the idea of a global economy is actually not a new thing. People have been trading across vast distances for thousands of years.

In one way, in the exhibit reminded me of how some things never change. It seemed like there was little difference in the scales used in Egypt or the portable balance of 18th century money changer. The basic physics stayed the same. The Roman steelyard balance works using the same principals as a locker room scale with sliding weights.

But in another way, the exhibit reminded me how much the new technologies have changed things. The exhibit included a set of linked folding metal measuring rods that today are easily replaced by a small laser distance finder. They would could both measure distance, but the technology, accuracy and portability of the tools are dramatically different.

Image credit/ Pera Museum Pinterest

close-reading-button-01

Selling Sleeping Pills – Common Core and Close Reading

intermezzo-featured

I was streaming a show on Hulu last night and saw this ad for Intermezzo sleep medication. (Video below)

I was amused by the disparity between the cute animation and the ominous narration of the mandated health warning. I thought this would make a good exercise to illustrate techniques in “close reading” and demonstrate the approach advocated by William Kist’s in New Literacies and the Common Core Educational Leadership ASCD March 2013.

Close reading requires students to consider text (in it’s different forms) through three lenses: what does it say, how does it say it, and what does it mean to me?

Here’s the steps to follow:

  1. Visual elements: Turn the sound off on your computer and watch the Intermezzo commercial (below). Make a list of visual details you observe – character, mood, lighting, editing, set design, shot composition. 
  2. Narration: Now turn the sound on and listen to the soundtrack without looking at the screen. Outline the verbal information given about the product in a T-chart. List benefits on one side and possible adverse effects on the other.
  3. Musical soundtrack: Listen to the ad without watching the screen again. This time focus on the musical soundtrack – instrumentation, tempo, mood. Write some adjectives that come to mind while listening to the ad (ignoring the narration.)

Compare your three lists – visual elements, narration and musical soundtrack. Be ready to use specific textual evidence to defend the observations in your lists. Here’s a few guiding questions to consider:

  • How do your three lists compare? To what extent do the visual elements, narration and musical soundtrack reinforce (or contradict) each other?
  • What do you think the ad’s creators were trying to communicate?
  • What artistic and narrative choices did the creators make to communicate their message?
  • How successfully did the ad sell the product? Would you consider using this product? Why?
  • Drug companies are required by the FDA to list all a drug’s possible risks. What impact does that requirement have on the content of this ad?

Congratulations – you’ve been exploring Common Core:  Reading Standards for Literature, Integration of Knowledge and Ideas, Standard 7, Grade 7. Compare and contrast a written story, drama, or poem to its audio, filmed, staged, or multimedia version, analyzing the effects of techniques unique to each medium (for example, lighting, sound, color, or camera focus and angles in a film).

Reading Standards for Informational Text, Integration of Knowledge and Ideas, Standard 7, Grades 11–12. Evaluate the advantages and disadvantages of using different mediums (for example, print or digital text, video, multimedia) to present a particular topic or idea.

Master Common Core Skills with Free DBQ iBook

Progress and poverty

My latest multi-touch iBook, Progress and Poverty in Industrial America, is available for your iPad - free / iTunes. It’s a great resource for use in the classroom, and serves as a model for teacher or student curation of historic content into interactive digital DBQ’s. (More of my posts on publishing with iBooks Author.)

This 18-page document-based question guides students through the historian’s process with an investigation of the essential question, “How do we evaluate the social costs 
and benefits of technological innovations?” To make the question relevant to students, it begins with a brief examination of the impact of 21st c technologies / global economy on progress and poverty in contemporary America.

superba

Next the iBook turns to historic content set in late 19th century America. “Stop and think” prompts encourage a deep reading of many notables of the “Gilded Age” – including Russell Conwell, Henry George, Andrew Carnegie and Stephen Crane. Visual source material includes posters, 1908 Sears Catalogue, a gallery of photographs by Lewis Hine and video of one of Edison’s early Vitascope films. Guiding questions help students think more deeply about each document:

What does the document tell you about America at the turn of the 20th century?

How do these historic themes of “progress and poverty” relate to issues in America today?

How do we evaluate the social costs 
and benefits of technological innovations?

Hine gallery

Students are guided through the historian’s process with a focus on the contrast between historic perspectives.

For example, students can compare how industrialization impacted children in different ways in the stark contrast of a young girl demonstrating the use of Sears Superba Washing Machine (“mother’s little helper finds it easy to swing the Superba to and fro…
”) and a gallery of Lewis Hine’s child labor photographs.

Can the cannery worker really take advantage of the new libraries that Carnegie has so generously donated to the city?

timecardfull

Another document is from records of the NYS Factory Investigating Commission- Time card dated June 26, 1911. “She was employed in a fruit cannery. She worked 166 hours for the two weeks, earning $16.60.” Student can contrast that with an excerpt from Carnegie’s Gospel of Wealth  – “the millionaire will be but a trustee for the poor; entrusted [with wealth] … administering it for the community far better than it could have done for itself.”

Critical thinking questions based on Common Core skills are embedded throughout the text and help students “think like a historian.”

  • Who created the document?
  • What was the creator’s goal?
  • How does the document reflect its historic time period?
  • How do multiple documents support or contradict one 
another?
  • What historic “voices” are missing from this collection – women, immigrants, minorities, workers?

Finally student are invited to share what they’ve learned in writing and a variety of other products:

  • Compose an essay or blog post
  • Draw an illustration, create an infogram, post a video
  • Role-play a debate – Hine vs Carnegie? or 
Conwell vs a supporter of the Occupy Movement?
  • Start a discussion on Facebook, curate a photo gallery on Flickr, create a new Twitter hashtag
  • Research the world around you and leave a document for a future historian