Learning to Think Like a Historian

art-classI recently was a contributor to a Education Week Teacher’s “Classroom Q&A With Larry Ferlazzo” column Teaching History By Encouraging Curiosity Note: you can also listen to our 10 minute podcast on the subject at BAM radio or iTunes

The column prompt was “What are some stories (testimonials) of the process teachers experienced when moving from the ‘stereotypical history teacher who only gives multiple choice tests on the dates of battles and offers their students a steady diet of mind dumbing worksheets and lectures.’”

I thought I cross post my response below for readers who do not have access to content behind the Ed Week paywall.

What do historians do? Research, interpret, and evaluate sources, apply historic perspective, pose questions. … they share the fruits of their research with others, take positions and defend them.

Let me share my evolution as history teacher. In 1971, I began teaching history much the same way it was taught to me. I did all the reading and assimilation of material, then worked hard to craft the interesting lecture. I delivered the information with great gusto and loads of clever asides. Then I gave the objective unit test to see if the students got it. I was doing all the work; learning far more than my students; preparing and delivering “five shows daily.” And so I trudged through history – Plato to NATO.

Then one day I had a revelation. I walked into the art classroom next door to borrow some supplies and looked at the interaction of the art teacher and his students. I realized that if Tom taught art the way I taught history, then his student would be sitting in rows watching him paint. And so my journey began. Just as Tom was teaching his students how to think and behave like artists, I needed to figure out how to get my students to be the historian.

Here’s a few key ideas I considered when making the transition to student as historian. Note: For more, see my Slideshare The Student as Historian

Teach how historians think and behave:

What do historians do? Research, interpret, and evaluate sources, apply historic perspective, pose questions. More importantly they share the fruits of their research with others, take positions and defend them. Make these skills the basis of your class and you’re on your way to meeting Common Core standards. Build in opportunities for students to peer review each other’s work and reflect on their progress as learners. See my Taxonomy of Reflection for prompts.

Stop teaching facts and let students explore essential questions:

Look at a contemporary issue in the news and use it as catalyst for understanding its historic roots. Why teach the Federalist vs. Anti-Federalists debates? Better to frame the lesson around the essential question “How Powerful Should the National Government Be?” It’s timeless and extends the issues raised by the rise of the Tea Party back to the debate over the ratification of the constitution. Download my free Great Debates in American History

Use history as a platform for teaching across the curriculum:

Why not teach some graphing skills using historic census data? A great chance to design an infographic. Historians rely on key literacy skills like summarizing and comparing. Frame tasks for the students that allow them to develop their own summaries and comparisons, share them with their peers and defend their thinking. Those are more Common Core skills.

Choose the right primary and secondary sources for students to work with:

Visualize the famous “Golden Spike” photo taken to mark the completion of a transcontinental railroad line in 1869. What can a student learn by looking at the image? Not much, because the important information is not in the image. It’s in the background knowledge a student must already possess to interpret it. Unfortunately, this type of photograph dominates our textbooks. It’s iconic – it refers to something else that we want students to know. More

Instead use historic sources that are less reliant on background knowledge. Allow students to make their own judgments about source material and share what’s important to them (instead of just repeating the details the teacher highlights). It’s a great chance for them to put those summarizing and comparison skills to use.

If you have access to Ed Week, I urge you to read the article. It also features a great response from Diana Laufenberg, who notes:

Now, I’ve never had a class start with, “Miss… I just have to know about the War of 1812, can you please tell me more?” The majority of students don’t come to class naturally curious about the stories of history. However, when you take the time to pull the students from their own experiences, allow them to make connections to history, float back to modern day to again find further connections and go back into history with all that information – meaning starts to develop in a way that is not achieved otherwise.

And interesting interesting observations from Sarah Kirby-Gonzalez, including

When I first stepped away from the basic, bubble-assessment curriculum and into a more inquiry-based approach, I was surprised by my students’ reactions. I had assumed the students would eat up the rich lessons, yet their first reaction was one of discomfort. When my good, little memorizers didn’t easily earn a perfect score on an assessment, they were frustrated and shut down. After much reflecting, I realized they were out of their comfort zone and not used to being asked to think critically. Answers didn’t come easily, and since often their self-image of being smart is wrapped up with things coming easily, the students felt attacked. Slowly, the students began to thrive and rise to the challenge.

Here’s some interesting comments from Part II of Larry’s series Teaching History By Not Giving ‘The Answers’

First from Bruce Lesh, who writes:

Colleagues looked at me funny as students began to ask questions and engage in debates about historical evidence. My peers–who have been trained (as I was) to lecture, assign readings from the books, break things up with Hollywood movies, and test with quickly graded multiple-choice questions–wondered why I was challenging “what has always worked.”

…Students had become accustomed to history being taught in a certain manner. In their effort to learn to “do school,” they expected to come into the history classroom and be regaled with stories of the past distributed through lectures, films, and textbooks, and they had mastered the skill set necessary to “do history.”

And this response from PJ Caposey, who notes:

When working with teachers I focus on …  trying to change from the ‘status quo’ to what is best for kids. One [element is the] Google test. If it can be answered via a simple Google search – then very little instructional time should be spent on it and it should not be assessed. CCSS is a game-changer, so too can be the ‘Google Test.’

Image credit: Flickr / Classroom scene, [Strabane technical school, Northern Ireland]
Date: c.1930

Free iBook Explores Ancient Egypt

Meet Alex the Archaeologist

The Memorial Art Gallery Rochester NY recently published Ancient Egypt: Exploring Ancient Artifacts with Alex the Archaeologist. It’s available free from the iTunes Store.
Full disclosure: I’ve assisted MAG on a number of projects and was a “mentor” on this iBook

Ancient Egypt is interactive resource for teachers and students featuring video host – “Alex the Archeologist.” (Played by Alexander Smith, a Mediterranean archaeologist and graduate student at Brown University’s Joukowsky Institute for Archaeology and the Ancient World.)

Chapters include: Government and Wealth, Power and Protection, Gods and Goddesses, Journey to the Afterlife and a very interactive guide to reading hieroglyphics. “Stop and think” questions throughout the book foster student reflection. An illustrated glossary helps foster defining skills. Students can zoom in to closely examine artifacts and try their hand at interpreting hieroglyphics.

God Osiris

Designed for classroom use by grades 6–12, Ancient Egypt is the first in a series for young people studying the ancient world. Using the Gallery’s collection of artifacts, this thematic object-centered exploration uses works of art, timelines, video clips, photographs, and interactive media to take students into the world of earlier civilizations. It meets Common Core Standards as students learn to read objects as primary source texts.

The Memorial Art Gallery has many other great resources available online. A good place to start is at Passport to the Past. It features collections of image sets sized for use on Smartboards or in PowerPoints

A Satiric Lesson in Media Literacy

This Is a Generic Brand Video

First the backstory. Start with a clever essay satirizing the clichéd corporate message ad - This is a Generic Brand Video by Kendra Eash published in McSweeneys. It begins:

We think first
Of vague words that are synonyms for progress
And pair them with footage of a high-speed train.

Science
Is doing lots of stuff
That may or may not have anything to do with us.

See how this guy in a lab coat holds up a beaker?
That means we do research.
Here’s a picture of DNA. More

Next, a stock video footage company – Dissolve uses some of its clips to turn Eash’s piece into a meaningless montage of grandiloquent pablum.

Here’s the lesson:

  1. Ask students to read the full text version of Eash’s original, focusing on word choice, imagery and intent. What is Eash’s “video” selling? You might ask them sketch a rough storyboard to illustrate the text.
  2. Show the video with the sound off and let students list its visual details. Have someone read Eash’s piece while watching the video without sound. (Does the timing matter?)
  3. Discuss the artistic choices made by the video’s creators to illustrate the piece? How does the music and narrator’s voice impact the message?
  4. Compare the impact and effectiveness of text, audio and visual.

Care to extend the lesson?


Use YouTube to find political ads from current or past elections. How to they exemplify the themes raised by Eash?

Dissolve has a gallery of all the video clips used in the video. (Hover over them to activate.) Ask student to select the clips that they feel have the greatest visual impact. Ask them to explain how they might use these clips to tell a story. 

Show students this actual corporate video and ask them decide if it uses themes noted by Eash. How does the Suncor video compare to the Dissolve satire? Hat tip to Jeff Beer. More of his recommend corporate videos here. Students could re-edit corporate videos to “sell” their own message.

BTW – you’ve been exploring Common Core:

Reading Standards for Literature, Integration of Knowledge and Ideas, Standard 7, Grade 7. Compare and contrast a written story, drama, or poem to its audio, filmed, staged, or multimedia version, analyzing the effects of techniques unique to each medium (for example, lighting, sound, color, or camera focus and angles in a film).

Reading Standards for Informational Text, Integration of Knowledge and Ideas, Standard 7, Grades 11–12. Evaluate the advantages and disadvantages of using different mediums (for example, print or digital text, video, multimedia) to present a particular topic or idea.

Text to Text: A Strategy for Common Core Close Reading

The-Scarlet-Letter-1917The NY Times Learning Network has just launched a new series of lesson plans called “Text to Text.” It’s a simple approach that pairs two written texts that “speak to each other.” I think it’s a Common Core close reading strategy that could be easily replicated by teachers across the curriculum – great way to blend nonfiction with fiction and incorporate a variety of media with written text.

Each lesson includes a key question, extension activities and additional resources to expand the basic lesson. Here’s two graphic organizers to help student organize their “Text to Text” thinking. (free PFD downloads)
Comparing Two or More Texts
Double-Entry Chart for Close Reading

The NY TImes plans to continue the series at the Learning Network – tagged Text to Text
To date they have created three sample lessons:

“The Scarlet Letter” and “Sexism and the Single Murderess”
Key Question: To what extent is there still a sexual double standard, and how does that double standard play out in contemporary culture?
It pairs a passage from “The Scarlet Letter” with a recent Op-Ed article that, together, invite discussion on societal attitudes toward female sexuality.

“Where Do Your Genes Come From?” and “DNA Double Take”
Key Question: How are recent advances in science changing our understanding of the genome, and how might this affect fields like forensic science or genetic counseling?
It matches a Times article with often-taught scientific, historic, cultural or literary material. This edition is about new findings in genetics.

“Edward Snowden and Daniel Ellsberg”
Key Question | Is Snowden a Hero, a Traitor or Something Else?
It pairs two Times articles that capture parallel moments in history: Daniel Ellsberg’s surrender to the police in 1971 after leaking the Pentagon Papers, and Edward Snowden’s public admission in June that he leaked classified documents about United States surveillance programs.

Image credit: 1917 Film version of ”The Scarlet Letter” – publicity still (cropped)
L. to R Stuart Holmes, Kittens Reichert & Mary Martin Date

Best Sites for Primary Documents in World History

Common Core offers an incentive for teachers to use historic documents to build literacy skills in a content area while empowering students to be the historian in the classroom. But document-based (DBQ) instruction in this context requires four key elements to be successful:

  • The right documents.
  • Knowing how to look at them.
  • Letting students discover their own patterns, then asking students to describe, compare and defend what they found.
  • Basing the task on enduring questions, the kind that students might actually want to answer.

I’ve assigned my pre-service social studies methods class the task of designing some DBQs and I assembled a list of some of my favorite sources for finding historic documents in World History. More on my assignment here.

All these sites feature good search engines and the ability to download documents for use in classroom projects. Here they are – in no particular order. Feel free to comment with links to your favorite sites. Click here for best sites for American History.

avalon project

Avalon Project
The Avalon Project contains a vast collection digital documents relevant to the fields of Law, History, Economics, Politics, Diplomacy and Government. All documents are in text format and easy to copy / paste. Search by era or collection.

Royal 10 E.IV, f.58

Medieval and Renaissance Material Culture
A vast collection of source material on a diverse array of topics relating to the material culture of the Middle Ages and Renaissance – not merely things, but occupations, clothing, animals, tools, eating-utensils, children and motherhood, games and pastimes, crime and punishment… even suggestions for books which may help you learn more about such matters. (Another section of the site covers clothing and material culture of the 18th century.)

Musicians and an acrobat, Smithfield Decretals (Brit. Lib. Royal 10 E IV, fol. 58), c. 1340

web gallery of art

Web Gallery of Art
The Web Gallery of Art is a virtual museum and searchable database of Western (European) fine arts of the Medieval, Renaissance, Baroque, Neoclassicism, Romanticism, Realism, and Impressionism periods (1000-1900), currently containing over 32.500 reproductions. Artist biographies, commentaries, guided tours, period music, catalogue, free postcard and mobile services are provided.

Internet History Sourcebooks Project
The Internet History Sourcebooks Project is a collection of public domain and copy-permitted historical texts presented cleanly (without advertising or excessive layout) for educational use. Includes sourcebooks on ancient, medieval and modern history as well as regional and thematic collections.

Weighing CottonThe Commons / Flickr
The goal of The Commons is to share hidden treasures from the world’s public photography archives. Includes material from museums and archives all over the world. Fully searchable by theme, keywords or tags.

Title: Weighing Cotton, Bombay
Creator: Johnson, William; Henderson, William
Date: ca. 1855-1862

kimbo2

World Digital Library
World Digital Library provides multiple ways to search and browse content, including by place, time, topic, type of item and contributing institution. And every item can be viewed with state-of-the art zoom features in order to catch all the fine detail. To date, there are about 1,460 digital items included in the World Digital Library, in a variety of formats – books, photographs, films, sound recordings, manuscripts and maps.

Kimbo In 1839, the Spanish slave ship Amistad set sail from Havana to Puerto Principe, Cuba. The ship was carrying 53 Africans who, a few months earlier, had been abducted from their homeland in present-day Sierra Leone to be sold in Cuba. Drawing by William H. Townsend Around 1839 CE – 1840 CE

Korean-Women-Going-Out

The Retronaut
The Retronaut is an eclectic collection of images from around the world. Tagline “See the past like you wouldn’t believe.” Search by year, category and clusters. I guarantee you will get lost in the unusual ephemera found in this site.

Korean women going out c. 1904
“The inscription imprinted on the postcard in Japanese characters indicates an outing of ‘Pyongyang’ women. The big objects over women’s heads were used to hide their face and to protect from sunshine or rain.”

Google Cultural Institute
Google has partnered with hundreds of museums, cultural institutions, and archives to host the world’s cultural treasures online. Here you can find artworks, landmarks and world heritage sites, as well as digital exhibitions that tell the stories behind the archives of cultural institutions across the globe.

Hans Holbein the Younger - The Ambassadors

The Google Cultural Institute includes :
Art Project
Google Art Project is an online platform through which the public can access high-resolution images of artworks housed in the initiative’s partner museums.The platform enables users to virtually tour partner museums’ galleries, explore physical and contextual information about artworks, and compile their own virtual collection. The “walk-through” feature of the project uses Google’s Street View technology. Users can log in with their Google Account to create their own collection.
Hans Holbein the Younger’s The Ambassadors
Art Project on YouTube

World Wonders Project
World Wonders brings modern and ancient world heritage sites online using Street View, 3D modelling and other Google technologies. Explore historic sites including Stonehenge, the archaeological areas of Pompeii and the Great Barrier Reef as if you were there. World Wonders on YouTube

warrior wearing a mail coat

Historic Moments
Explore Historic Moments, Cultural Figures, Science & Technology, and other categories to browse through photos, videos, manuscripts and documents on a wide range of topics.

Detail from an Anglo-Saxon casket from around AD 700-750
British Museum London
Historic Moments

Hat tip to Peter Gallagher for lead on Google Cultural Institute